Fertighäuser
Fertighaus, Quelle: massa haus/Flickr.com
Wer wünscht sich nicht ein eigenes Heim, dazu einen schönen Garten und das gute Gefühl, irgendwo zuhause zu sein? Leider hat das Bauen eines Hauses seinen stattlichen Preis. Architekten und Baufirmen wollen eben gut entlohnt werden. Da greift doch so manch einer, dessen Geldbeutel etwas kleiner bemessen ist, zum Fertighaus. Dieses besticht durch den Fixpreis, den der Hersteller garantiert. Zu dieser günstigen Summe kommt es, weil die einzelnen Teile alle aus einer Hand kommen, in der Halle vorproduziert werden und sich somit besser kontrollieren lassen. Zudem bedeutet dies laut Anbieter natürlich auch einen Pluspunkt in Sachen Qualitätsgarantie. Und auch energetisch haben Fertighäuser so einiges in petto: da sie fast immer aus Holz bestehen, welches gut isoliert werden kann, entsprechen sie den meisten Bauvorschriften.
Das klassische Fertighaus gibt es jedoch kaum mehr. Es wird eigentlich als „Typenhaus“ bezeichnet, denn bei dieser Bauvariante kann der Kunde nur den Typ des Hauses wählen – nicht mehr, und nicht weniger. Die Bezeichnung Fertighaus steht mittlerweile sogar immer mehr für Individualismus, denn der größte Teil wird nach Kundenwunsch gebaut. Dadurch entstehen jedoch wieder Mehrkosten, welche den Preis eines Fertighauses enorm dicht an den eines „normalen“ Hauses treiben. Sogar Designer-Fertighäuser gibt es jetzt schon. Der berühmte Architekt und Künstler Daniel Libeskind hat als erster den Schritt gewagt und ein Fertighaus entworfen. Dies ist nicht im geringsten spießig oder kleinbürgerlich, ganz im Gegenteil: es erinnert an die Formen des jüdischen Museums zu Berlin. Mit seinen scharfen Kanten, zersplitterten Formen und zudem umweltfreundlichen Material ist es ein Vorreiter auf dem Markt der individuellen Fertighäuser. Doch das ganze hat natürlich auch einen stattlichen Preis: 2,2 Millionen Euro müssen Bauinteressierte dafür blechen, künftig auf den 515 Quadratmetern verweilen zu können. Hinzu kommen natürlich noch Grundstücks- und Erschließungskosten. Spätestens da ist es dann vorbei mit der „günstigen Bauvariante Fertighaus“.
![pmorgan hat ein Foto gepostet: "Armand Vaillancourt is a Québécois sculptor, painter and performance artist born on September 3, 1929, in the city of Black Lake, Quebec, Canada."In 1971, a publicly commissioned fountain entitled Québec libre! was installed (San Francisco, United States). One of his best known sculptures, Québec libre! is representative of the relationship between Vaillancourt's art and his political convictions. It is a huge concrete fountain, 200 feet long, 140 feet wide and 36 feet high sitting in the city's financial district at the Embarcadero Center. The night before its inauguration, Vaillancourt inscribed Québec libre! in red letters, to note his undying support for the Quebec sovereignty movement and more largely, his support for the freedom of all people. The following day, seeing that the city's employees erased the inscription, he jumped on the sculpture to reinscribe the sentence many times."Some years later, the fountain became the object of a polemic involving U2's singer Bono. During a free concert, Bono climbed the sculpture to write Rock & Roll stops the traffic, referring to the power of rock.[2] 20,000 people were in fact in attendance and blocked some of the neighbouring streets. Reacting to the act, the city's mayor declared that she deplored the sculpture's vandalism and that this kind of act could be punishable by a fine and/or imprisonment. Vaillancourt was then contacted to learn if he supported the gesture, which he answered by going to U2's concert in Oakland the following day, where he wrote "Stop the madness" on the stage, in front of 70,000 people. He defended Bono's gesture, after a speech on injustice, declaring that graffiti is a necessary evil as young people do not generally have the same access to newspapers, and media in general, as politicians do to express themselves.en.wikipedia.org/wiki/Armand_Vaillancourt(the sculpture seems to have been renamed the Vaillancourt Fountain)](http://farm8.staticflickr.com/7057/6907299869_90b5012410.jpg "pmorgan hat ein Foto gepostet: \"Armand Vaillancourt is a Québécois sculptor, painter and performance artist born on September 3, 1929, in the city of Black Lake, Quebec, Canada.\"In 1971, a publicly commissioned fountain entitled Québec libre! was installed (San Francisco, United States). One of his best known sculptures, Québec libre! is representative of the relationship between Vaillancourt's art and his political convictions. It is a huge concrete fountain, 200 feet long, 140 feet wide and 36 feet high sitting in the city's financial district at the Embarcadero Center. The night before its inauguration, Vaillancourt inscribed Québec libre! in red letters, to note his undying support for the Quebec sovereignty movement and more largely, his support for the freedom of all people. The following day, seeing that the city's employees erased the inscription, he jumped on the sculpture to reinscribe the sentence many times.\"Some years later, the fountain became the object of a polemic involving U2's singer Bono. During a free concert, Bono climbed the sculpture to write Rock & Roll stops the traffic, referring to the power of rock.[2] 20,000 people were in fact in attendance and blocked some of the neighbouring streets. Reacting to the act, the city's mayor declared that she deplored the sculpture's vandalism and that this kind of act could be punishable by a fine and/or imprisonment. Vaillancourt was then contacted to learn if he supported the gesture, which he answered by going to U2's concert in Oakland the following day, where he wrote \"Stop the madness\" on the stage, in front of 70,000 people. He defended Bono's gesture, after a speech on injustice, declaring that graffiti is a necessary evil as young people do not generally have the same access to newspapers, and media in general, as politicians do to express themselves.en.wikipedia.org/wiki/Armand_Vaillancourt(the sculpture seems to have been renamed the Vaillancourt Fountain)")
